netzlich
Laura Totenhagen - voice; Leif Berger - drums, Elisabeth Coudoux - Cello, electr.
Dynamics are cultivated with economy and gather the strength to phrase their own ideas in an uncannily ill-fated, almost cyclical way. Speed is absent—or else it generates a tempo of its own, within structures that lend a sense of sociality as well as exogenous motion. The resulting stillness often dissolves again—
in the forest of the 20th century one might have called it “storytelling meets drums.”
Today, equal-timedness, it is an indiviSual sound: an audient network, an inter-listening between three counter-netted poles.
Dynamics are cultivated with economy and gather the strength to phrase their own ideas in an uncannily ill-fated, almost cyclical way. Speed is absent—or else it generates a tempo of its own, within structures that lend a sense of sociality as well as exogenous motion. The resulting stillness often dissolves again—
in the forest of the 20th century one might have called it “storytelling meets drums.”
Today, equal-timedness, it is an indiviSual sound: an audient network, an inter-listening between three counter-netted poles.